第三章 新艺术运动欧洲各国流派分析
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第三章 新艺术运动欧洲各国流派分析 背景:英国工艺美术运动反对工业化,否定工业产品具有美学价值,未能找到艺术与大工业的契合点。 提出艺术与技术相结合 “ 新艺术运动 ” (实用艺术风格). 1. 新艺术运动的目的 目的:艺术与技术相结合。 追求与传统决裂、完全师从 自然的全新风格(线条装饰)。. 2. 新艺术运动的三大源泉 三大源泉:哥特式、罗可可式、 日本浮世绘(江户时期). 大桥骤雨. 3. 新艺术运动的特征 ( 1 )新艺术运动与工艺美术运动的区别 工艺美术运动--注重哥特风格 - PowerPoint PPT PresentationTRANSCRIPT
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3. 1 2 3 A.
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B.
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1
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2
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3Rene Lalique
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1892:
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6Hector Guimard
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1911
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2. 1Henry Van de Velde1906
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1
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2
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2Victor Horta A.Tassel House
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B.
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C. Maison Horta
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3. Antonio Gaudi
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1900
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(1)the Casa Batllo1904-1906
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(2)the Casa Mila1906-1910
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(2)the Sagrade Church1882
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4. 189719 Joseph Olbrich18971898
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38
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40
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(1905)
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1886-18881912-1913Wagner's tendency to reduce the style of Art Nouveau to functional forms in his later years is obvious.
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2 JosefJoseph Hoffmann Four nesting tables.
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A.part of the Flat Model cutlery set, silver, c.1903-1904. Josef Hoffmann pro J. & L. Lobmeyr, Set, 1911
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B.Josef Hoffmann, Adjustable armchair, (1905)
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B.Kubusarmchair sofa by Joseph Hoffmann (1918)Koller Armchair by Josef Hoffmann (1911)Bronciaby Josef Hoffmann(1912)
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C.Josef Hoffmann, Palais Stoclet, Brussels, view of the street facade from the northwest, photograph, 1905-1911.
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3 3000
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4
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12 3
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5. Charles Rennie Mackintosh 1918
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the Heart of RoseROSE
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1906
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1
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1896 Art Nouveau advertising poster by Will H. Bradley.
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2. Tiffany Glass and Decorating Company (Favrile)
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1896 Peacock Vase1900$9,000-12,0001915
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$233.99$70.99$224.99
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3. 19191871101/3
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Louis Sullivan,1856-19241889Adler & Sullivan 1886-89
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1889
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1893 Former entrance to the Chicago Stock Exchange
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65-69 Bleecker Street Louis Sullivan 1898
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the Carson Pirie Scott department store in Chicago (1899-1904)
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1924
1920
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1920
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2. 18971909